Table of Contents: Judgement Day for the Turin Shroud
- 1.0 Introduction
- 2.0 1969 Italian Commission
- 3.0 1973 Italian Commission
- 4.0 Science and the Church
- 5.0 Max Frei and His Pollen
- 6.0 Detection of Forgeries
- 6.1 Vinland Map
- 6.2 Turin Shroud
- 7.0 Quiet Diplomacy
- 8.0 STURP
- 9.0 Beginning My Study of the Shroud Tapes
- 10.0 The Shroud Becomes the “Shroud”
- 11.0 The “Shroud” Paint
- 12.0 Ray Rogers
- 13.0 “Shroud”-like Paintings
- 14.0 Composition of the Paint Medium
- 15.0 Conclusion After One Year
- 16.0 Breaking the News
- 17.0 One Painting Style in the 14th Century
- 18.0 Entr’acte and Conned Out of My Tapes
- 19.0 McCrone Associates High-Tech Confirmation
- 20.0 The “Shroud” Painted Twice
- 21.0 My Final Conclusion
- 22.0 STURP Studies
- 22.0 How Did STURP Miss the Boat?
- 23.0 Faith versus Science
- 24.0 Questions and Answers
- 25.0 Scientific Approach to the Shroud
- 26.0 Walter Sanford and Negative Images
- 27.0 Denouement
- 28.0 Last Ditch Effort
- 29.0 The Hour of Truth
- 30.0 Carbon-Dating
- 31.0 Aftermath of the Radiocarbon Dating
- 32.0 Peer-Review
- 33.0 Occam’s Razor
- 34.0 Postscript
- 35.0 Back to the Middle Ages
- Appendix One – Frei’s Pollen
- Appendix Two – Dr. Shafersman
- Appendix Three – STURP Newsletter
- Appendix Four – Research Chronology