image description

Table of Contents: Judgement Day for the Turin Shroud

  • 1.0 Introduction
  • 2.0 1969 Italian Commission
  • 3.0 1973 Italian Commission
  • 4.0 Science and the Church
  • 5.0 Max Frei and His Pollen
  • 6.0 Detection of Forgeries
    - 6.1 Vinland Map
    - 6.2 Turin Shroud
  • 7.0 Quiet Diplomacy
  • 8.0 STURP
  • 9.0 Beginning My Study of the Shroud Tapes
  • 10.0 The Shroud Becomes the “Shroud”
  • 11.0 The “Shroud” Paint
  • 12.0 Ray Rogers
  • 13.0 “Shroud”-like Paintings
  • 14.0 Composition of the Paint Medium
  • 15.0 Conclusion After One Year
  • 16.0 Breaking the News
  • 17.0 One Painting Style in the 14th Century
  • 18.0 Entr’acte and Conned Out of My Tapes
  • 19.0 McCrone Associates High-Tech Confirmation
  • 20.0 The “Shroud” Painted Twice
  • 21.0 My Final Conclusion
  • 22.0 STURP Studies
  • 22.0 How Did STURP Miss the Boat?
  • 23.0 Faith versus Science
  • 24.0 Questions and Answers
  • 25.0 Scientific Approach to the Shroud
  • 26.0 Walter Sanford and Negative Images
  • 27.0 Denouement
  • 28.0 Last Ditch Effort
  • 29.0 The Hour of Truth
  • 30.0 Carbon-Dating
  • 31.0 Aftermath of the Radiocarbon Dating
  • 32.0 Peer-Review
  • 33.0 Occam’s Razor
  • 34.0 Postscript
  • 35.0 Back to the Middle Ages
  • Appendix One – Frei’s Pollen
  • Appendix Two – Dr. Shafersman
  • Appendix Three – STURP Newsletter
  • Appendix Four – Research Chronology